Michael jackson on yamaha montage 81/1/2024 The paraphonic layer also includes its own unique filter envelope, DCA (Digitally Controlled Amplifier), and VCA envelope generators. Layer Two borrows the eight-voice, eight-channel architecture from Layer One and expands on it by including an additional eight-voice paraphonic layer that consists of a 100% analog voltage controlled oscillator with a discrete analog sine wave sub-oscillator, and a 100% analog lowpass filter. Layer One also features an arpeggiator, step sequencer, and MIDI-syncable LFOs. Layer One features eight voices of 100% analog synthesis, each with two separate but identical layers consisting of an analog voltage controlled oscillator with a discrete analog sub-oscillator, analog lowpass filter, voltage controlled amplifier with an analog overdrive circuit, multiple modulation sources, an analog effects section with analog delay, analog chorus/flanger and analog tremolo, and an analog reverb with a pre-delay and diffusion control. From the weighty analog lowpass filter with its self-resonance capabilities, to the wide range of modulation and time-based effects, Layer One brings a massive amount of analog sound design potential right into your studio or live rig. Layer One is a fully realized 100% analog voice for those who crave that classic analog flavor. Much like the CS-80, Deckard’s dream features 8 voices of polyphony, each composed of two layers. Its name of course references the iconic Blade Runner score composed by Vangelis using the CS-80. While it won’t cost you as much as a vintage unit, it’s not cheap–the Deckard’s Dream retails for $3749. An included 9V power supply is required for operation.īlack Corporation have released a Desktop Synthesizer which is perhaps the closest equivalent to a CS-80 that can be purchased today. The rear panel offers 1/4-inch jacks for mono and stereo output, USB connectivity for use as a controller as well as MIDI In and Out connectivity for controlling external MIDI devices or integrating the CS into a MIDI setup. Record your musical ideas using the onboard Looper. Modulate each oscillator with filters, LFOs and envelopes for stunning sonic effects. Its five analog-like oscillators provide a broad range of sounds from gritty analog distortion to smooth digital unison. There’s a big difference between $300 and $30,000. While not a 1:1 reissue of the CS-80, it will get you in the ballpark at a fraction of the price. Yamaha themselves have invoked the coveted ‘CS’ branding with the release of the Yamaha CS Reface. Owning one of these classic polyphonic synths is practically impossible for even hardcore synth enthusiasts but luckily there are many alternatives available in the form of keyboards, desktop synths, and VST/AUs capable of achieving comparable tones. Add to that the fact that the synth weighs over 200 lbs, even shipping costs for the original unit must be huge (current eBay listings suggest around $300 shipping on average). To say that the CS-80 is expensive would be an absolute understatement. On sites like and eBay, a used Yamaha CS-80 sells for anywhere from $30,000 and up to $100,000. When it was initially released, the CS-80 cost a hefty $6900…and that’s still a pretty penny. An Original Yamaha CS-80 Yamaha CS-80 with the CS-50 and CS-60 The Yamaha CS-80 has been used on countless classic recordings by everyone from Vangelis to Daft Punk, Aphex Twin, Hans Zimmer, Jean Michel Jarre, Stevie Wonder, Michael Jackson, Vince Clarke, Depeche Mode, Peter Gabriel, Mac Demarco and many many more. Capable of amazing analog strings, brass, drones and pads that are soaked in vintage analog goodness, the CS-80 remains an absolute classic over 40 years after its initial release. Featuring 8 voices of polyphony, the CS-80 has a distinctive sound, with a “fat” and “punchy” bass, and a distinctive “honky” sound in the high end. Originally released in 1977, the Yamaha CS-80 remains one of the most sought after and desirable analog synthesizers of all time.
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